The way the US government views the the definition differs from the way the music industry has evolved to view and make deals in regard to the writing splits of songs.
Determining how to split songwriting credit is already a tricky business. Do you distribute credit equally among all members of a band, even if the lead singer wrote the main musical riff and the rest of the band only added simple accompaniment? What percentage does a guest artist who contributes a rap to an otherwise completed pop song receive? Things get even more complex when it's time to figure out the split for another key player in the creative process – the producer (or producers, as the case may be).
All industries, whether it’s for marketing, business, or music, have meetups and conferences for those in the industry to meet, learn, exchange ideas and network amongst themselves. For many songwriters, writing, recording and playing music can sometimes be an isolating experience. Attending festivals and conferences can give you an opportunity to meet other musicians and music industry professionals to talk about your work and their work.
When you're on the road, it may not be so easy to grab a notepad and a pen to scribble down a song lyric, or find a piano to nail down the perfect chord. Maybe you have a service like Songtrust to send your playlists to PROs across the world, but you don't have an app to help with your daily budget. Never fear – here are just a few apps that can make life on the road (or just stuck driving between gigs) a little easier.
As a songwriter, you are your own publisher on any works you’ve written. As a publisher, you may want to set up your own publishing entity with your PRO. A “personal publishing entity” is just a name you assign to the publishing “company” you already “own” as a publisher of your works, and affiliate with your PRO just like you affiliate yourself as a writer. There are a few reasons to create a personal publishing entity, and a few key things to note when you’re deciding whether or not doing so is right for you:
A frequently asked question we get is about conflicting claims (also known as counterclaims or duplicate claims) which occur when there is a miscommunication between co-writers and/or publishers about the correct songwriting splits and/or ownership. As a result of this dispute, the registered song has unclear, differing claims that often add up to more than the required 100% total shares.
For many, the current economic environment continues to make it difficult to make ends meet. Many of us have readjusted our spending habits, and we may no longer shop as much as or where we used to - we may settle for a staycation, rather than a true getaway - and items that were previously considered to be necessities have been relegated to the “can’t afford” or “not needed” category.
We’ve gone on and on about music publishing in general - discussing the various deals songwriters might encounter to the type of royalties their songs can earn them - and of course, we’ve talked about how Songtrust can help songwriters not leave any money on the table. But, we’ve shared all these ways in a variety of ways and it’s time we highlight the top ten reasons why Songtrust is really an ideal option for songwriters at any stage of their career. Below, you’ll find the top ten reasons, out of many, you need Songtrust:
What exactly is a copyright? The simplest definition is it is a form of intellectual property protection enforceable under the law. Despite the term being used in the singular, “a copyright” is actually a bundle of rights granted to an author of an original creative work that has been fixed in a tangible medium, such as song recorded on a CD or audio file.